- James Kunovski
Tribute to Those Overlooked: Cinematography
“A lot of cinematography is intuition. It's an art, not a formula.” – Reed Morano
Overlooked by the Academy, yet still outstanding as ever, the following five works embody an effervescent spirit of cinema.
Enter the Void | 2009
Cinematography by Benoît Debie
For its transfixing and hallucinogenic fly-on-the-wall portrait of neon-stocked Tokyo.
Who won in its eligible year?
Inception, cinematography by Wally Pfister


Cinematography by Benoît Debie, Wild Bunch
The Handmaiden | 2016
Cinematography by Chung-hoon Chung
For its attractive pairing of lavish atmosphere and sumptuous period design.
Who won in its eligible year?
La La Land, cinematography by Linus Sandgren



Cinematography by Chung-hoon Chung, CJ Entertainment
In the Mood for Love | 2000
Cinematography by Christopher Doyle and Mark Lee Ping Bin
For its voyeuristic yet careful quality.
Who won in its eligible year?
The Lord of the Rings: The Fellowship of the Ring, cinematography by Andrew Lesnie




Cinematography by Christopher Doyle & Mark Lee Ping Bin, Paradis Films
Touch of Evil | 1958
Cinematography by Russell Metty and Harry Keller
For its investigational and influential authority.
Who won in its eligible year?
The Defiant Ones, cinematography by Sam Leavitt



Cinematography by Russell Metty& Harry Keller, Universal Pictures
Written on the Wind | 1956
Cinematography by Russell Metty
For its hypnotising comprehension of colour, perception and emotion.
Who won in its eligible year?
Around the World in 80 Days, cinematography by Lionel Lindon



Cinematography by Russell Metty, Universal Pictures